LOVE MASSACRE
FEFF28_2026
FEFF2026
Durata: 91 min
Genere: Horror, Thriller, Dramma, Romance, Mistero
Lingua: CINESE con sottotitoli in ENG/ITA
Regia: Patrick Tam
Anno: 2026
Con: 林青霞, 張國柱, Charlie Chin Chiang Lin, 劉天蘭, 葉德嫻, 許鞍華, Cyrus Cassells, Kong Lung
Trama
In una San Francisco irrealistica e onirica, Patrick Tam, al suo secondo film, espande le traiettorie della sua sperimentazione, lavorando soprattutto sul colore, influenzato dall’astrattismo geometrico di Mondrian e dalle campiture di colore di Rothko. Quella che a prima vista sembra una storia d’amore estrosa e suggestiva, si trasforma presto in un’opera di tutt’altro genere, e tiene fede al proprio titolo con un’efficacia impressionante. Soprattutto per quanto riguarda il massacro.
Amidst a harshly unrealistic and dreamlike San Francisco, Patrick Tam pushes the boundaries of his experimentation in his second feature, focusing particularly on colour, inspired both by Mondrian’s geometric abstract painting and Rothko’s colour field paintings. Appearing at first to be a moody, atmospheric romance, the movie soon morphs into an entirely different genre and impressively earns its title. The massacre part, especially.
Amidst a harshly unrealistic and dreamlike San Francisco, Patrick Tam pushes the boundaries of his experimentation in his second feature, focusing particularly on colour, inspired both by Mondrian’s geometric abstract painting and Rothko’s colour field paintings. Appearing at first to be a moody, atmospheric romance, the movie soon morphs into an entirely different genre and impressively earns its title. The massacre part, especially.
Info
91 min
Genere: Horror, Thriller, Dramma, Romance, Mistero
Lingua: CINESE con sottotitoli in ENG/ITA
Regia: Patrick Tam
Anno: 2026
Con: 林青霞, 張國柱, Charlie Chin Chiang Lin, 劉天蘭, 葉德嫻, 許鞍華, Cyrus Cassells, Kong Lung
Trama
In una San Francisco irrealistica e onirica, Patrick Tam, al suo secondo film, espande le traiettorie della sua sperimentazione, lavorando soprattutto sul colore, influenzato dall’astrattismo geometrico di Mondrian e dalle campiture di colore di Rothko. Quella che a prima vista sembra una storia d’amore estrosa e suggestiva, si trasforma presto in un’opera di tutt’altro genere, e tiene fede al proprio titolo con un’efficacia impressionante. Soprattutto per quanto riguarda il massacro.
Amidst a harshly unrealistic and dreamlike San Francisco, Patrick Tam pushes the boundaries of his experimentation in his second feature, focusing particularly on colour, inspired both by Mondrian’s geometric abstract painting and Rothko’s colour field paintings. Appearing at first to be a moody, atmospheric romance, the movie soon morphs into an entirely different genre and impressively earns its title. The massacre part, especially.
Amidst a harshly unrealistic and dreamlike San Francisco, Patrick Tam pushes the boundaries of his experimentation in his second feature, focusing particularly on colour, inspired both by Mondrian’s geometric abstract painting and Rothko’s colour field paintings. Appearing at first to be a moody, atmospheric romance, the movie soon morphs into an entirely different genre and impressively earns its title. The massacre part, especially.
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